#like 10 different people i follow post about it

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[herefortheships]

What do you think of the Bj and Lydia controversy due to age?

You know, the short answer I have for this is that I do not think it should be an issue that's even brought up anymore. Lydia is now an adult woman in her 50s; plenty of people end up with a partner who is 10+ years older than them, meaning that they would have been a full adult if they would have come across their partner at sixteen. And that's just speaking about the real world; let's not forget Beetlejuice and the characters in that world are all a work of fiction. I don't think the fact that they met when she was a teenager all those years ago should even be an issue to ship it or not. As a matter of fact, people can ship whatever they want. They can even ship it in the first film and it's not an issue... Shipping in itself is inherently innocent. These characters and the situations around them don't even exist, and therefore, whatever you imagine with them, has no effect in the real world. Shipping is no different from a kid grabbing a couple of dolls and making them kiss. It's all in good fun.

Let me tell you, I had written a long freaking essay under this question 😅, but I decided to leave all of that for a separate post. But a few notable points from that essay which I think would be good to include here are the following.

Back in the 90s and early 2000s we had ships with pretty big age gaps on network TV and nobody batted an eye about the age gap (as far as I'm concerned). I'm talking about Buffy the Vampire Slayer specifically in this post. This was before social media, but as far as magazines and fandom spaces go, I'm sure the discussions around Buffy's love interests in BTVS centered around which hot vampire was better for Buffy, Angel or Spike. (Even nowadays we see this kind of article, exhibit A). And you don't see these articles starting with disclaimers and trigger warnings, either.

For those who haven't watched BTVS, Angel was around 240-something when he slept with 17 year old Buffy. He slept with her the night she turned 17, by the way; they were already together while she was 16. At the time he was turned into a vampire, Angel was around 26 years old. Angel met Buffy when she was 16, but he was stalking watching Buffy since she was 15:

Now about Spike. Spike met Buffy when she was 16, but he didn't actually become obsessed with her until she was around 20. Still, they got together and it wasn't ever an issue that he met her when she was a teenager. In Spike's case, he did stick around and interacted with Buffy multiple times before they started dating. In Betelgeuse's case, we know that while he watched Lydia from afar, he never actually managed to interact or even be seen by her during the years they were apart.

A lot of antis throw around the word "grooming" around Beetlebabes; I don't think they understand the meaning of that word. To put it simple, to groom someone is to condition them and emotionally manipulate them for years into a certain behavior, in this context, into falling in love or becoming sexually involved with the groomer. This term, therefore, cannot and will not ever apply to Betelgeuse and Lydia's relationship (it also does not apply to Spuffy, while we're at it). How can it? When they only had a few interactions over 30+ years ago and only met now after all that time.

And about those interactions in the first movie, the fact that Betelgeuse attempted to marry Lydia is attached to an idea of sexual inappropriateness only when that particular idea is projected onto what actually happened in that scene. Objectively, for Betelgeuse, marrying Lydia was a means to an end; there was no sexual or romantic implications in their marriage in that movie.

I believe in the case of Betelgeuse x Lydia versus ships like Buffy x Angel or Buffy x Spike, people are quick to see an issue in one where they never notice an issue in the other for the following reason: While Angel and Spike are hot, young-looking vampires, Betelgeuse is gross and does look like a dead guy. That is literally the difference. Spike and Angel are good-looking hotties; Betelgeuse... I love him lots and he is hot for me, but he is not conventionally attractive. I bet you if Betelgeuse looked like Michael Keaton did playing Bruce Wayne... People wouldn't have an issue that he's lusting after 50-something year old Winona Ryder, (also a hottie herself btw).

Let's add here before I close off this post that both Angel and Spike did objectively horrible things to Buffy when they were soulless (Angel while Buffy was still a minor), and meanwhile Betelgeuse has never harmed Lydia (no, the insta-pregnancy didn't harm her; everything that happened in that scene was an illusion). He didn't even behave inappropriately toward her in the first film when he was wilder and hornier than he is now. And yet shipping Bangel or Spuffy (last I checked lol) isn't widely seen as problematic. I ship Spuffy to the moon and back, and used to ship Bangel as well at some point 🤷🏻‍♀️ and I haven't seen people attacking shippers nor have I seen discussions of these ships being inappropriate (though I'm sure there must be... it's 2024 and the purity culture fandom infection has spread widely), not in the way I see Beetlebabes fans being harassed.

Anyway, I wrote a separate post about this and will post it eventually. This wasn't meant to be this long, but here we are 😅.

[smallishzine]

very important official zine stuff for real this time guys please spread this around

we realized we haven’t asked you what you want this zine to be, so here is poll with some different options for things we could do, but this still won’t set things in stone cause we’re aware that we’re working with a relatively small albeit amazing awesome and extremely appreciated audience, but it’ll give us a good idea for what direction you want the zine to go in.

some examples of what we mean for added coherence, please read before voting unless you wanna be like that guy in the Simpsons movie:

an eras tour zine (yes this is a Taylor swift joke shut up if you’re judging us you’re wrong) would be like different pieces dedicated to each, for lack of a better word, “thing” that Joel has done. @/inthelittlezine is a great example of this concept, except the mod has far better organizational skills than we ever could hope to

tourism brochure would be like we pick a specific thing Joel, such as esmp 1 or 2, or x life, or one of his hardcore/survival worlds (I haven’t listed Hermitcraft season 10 cause that’s still in progress but if you guys really really wanna, that too), and make an in universe guide to it expanding upon the lore and characters and builds and stuff. @/scarland-artbook is an amazing example of this, though of course we would be a much smaller scale of a project.

do you wanna tell a story? Or ride our bikes around the halls? We can’t help with the second one, we’re not very sporty people, but this option is both the most difficult and dangerous to the success of the zine, and the one that intrigues me specifically the most. Like, guys, I know I’m polling this, but I’m secretly hoping that this one wins. Like all the hoping. Ever. But I’m not gonna just say yeah let’s do this because if like only three people also wanna this zine will never get made and I will be really, really sad. This option is basically do we wanna take something Joel has done and work together to create an original universe/story based off of it, each contributing a small part of the story in comic or writing form. Unless you’ve been living under a rock and/or this post broke containment sorry if it did I assure I’m usually mostly sane, you probably know where I’m shamelessly stealing taking inspiration from. We heart you @/hotguycomiczine. If we went with this we would obviously create our own universe and storyline, and we’d try to base it off of one of Joel’s characters if possible. Also, if we went with this, we’d start the mod and application process and stuff and once we knew everyone who was going to be in the zine then we’d all get together and start working on the story, and this is the part I’m worried about because if we’re all stumped then I guess the zine is out of luck and I’d be sad. Also even if we did do this, like preemptively temper your expectations I am no where near as good as the legends at hotguycomiczine at organization and promotion and story writing and all that good stuff. However, if you have an idea for a story and want to share, send us an ask cause we might just end up using it.

I think the last two are mostly self explanatory.

please reblog for reach.

[georgiapeach30513]

Now Jen…I LOVE your blog and your posts but I respectfully disagree about your Steve comments. Again, I use the word respectfully, because I don’t want you or your other followers to take it too seriously. But I think it needs to be said.

First of all, Bucky fans love to make virtually everything about him, especially when it comes to Steve. Please do not at me, Bucky fans never want to admit this but some of you even bleed onto the actors and like to make things about SS when it’s about CE. Think about it. Why do these two people always get compared?? Maybe because it’s a bunch of Steve Bucky fans who can’t get over it and don’t want to. And then it becomes competition and Bucky/SS fans need to make it a sticking point into virtually everything and I’m TIRED. CE fans tend to get upset because they keep having to defend Chris doing random movies instead of doing or following what Sebastian is doing and I think some of them are tired too. Or maybe I’m just projecting.

Steve in the movies did everything for this guy and he also does everything for everyone else. But the moment he does something for himself WW3 happens. I’ll agree that the ending for his arc should have been different because the endgame storyline left too many questions and as a Steve fan I find it extremely annoying. But Why is it his duty to be his friend’s butt buddy forever and always? How come Bucky fans can’t ever seem to let go? And they’re fine when Steve world revolves around him but when they have to deal with Steve being his own person and thinking about his own life for once it’s verboten. I don’t think Bucky is perfect in the slightest and mostly he annoyed me 10 fold in the falcon show. But I will allow it since he has been through a lot, he’s allowed to be grumpy. I don’t expect him to live his life for Steve and tbh I also think he should have gone back in time and relive his own life differently. But that’s a different story and clearly about whose marvel contract is still active and whose is expired.

But Steve needs to be a ray of sunshine that doesn’t do anything except exist for his friend 24/7? Also…why are we getting this “he left him for a person who aided in bucky’s demise?” How did Peggy do that? Why, once again, is it not about Steve and Peggy, but about Bucky and dumping it on Steve and Peggy???

Even now salty bucky fans make their dislike about endgame and MCU about Steve not being around for Bucky, even though the storyline literally was just writing Chris out of it. If it was in reverse and Bucky went back in time I’d 1000% bet none of you would be crying about it. You would say, good for him he deserves to lives his life over. But Steve deserves just as much if not more, he has had no life of his own and was barely existing even in his own movies, as…oh yeah, even marvel was making his story about other people, so no I don’t agree with this constant needing to be mad at Steve over Bucky, when you could just admit that you want it to be about Bucky always and Steve second.

That being said…that is just my opinion. Your opinion is valid as it is your blog. You are my favorite blogger on here but this is one thing I can’t stay silent on.

I love conversations like this, so NEVER apologize. I think the beauty with cinematic universes are we get to know the characters a bit more. And every character is going to resonate with different people in a different way. So let’s get into this, and of course I respect your take, but let me explain a bit more where I’m coming from.

I am aware that we Bucky fans love to make him the main event. As do Steve fans do that, and Loki fans do that. And I do think that there are some people who go bleed the lines of reality with fiction. Obviously when I joke around about Sebastian and Chris I do not think that they are romantic at all. I do think that Chris and Seb equally are aware that the other is attractive. And everyone knows that I am a big hater of people comparing Chris to Seb. I don’t like it. These are two different actors who have both carved out their careers very differently, and for them. Sebastian has always shown that he wanted awards, and is looking at acting as an art form, while I think Chris enjoys what he does, but maybe doesn’t center his whole life around it. As far as the random movie, Seb has done random shitty movies as well. I am not going to dive into why Chris has chosen the movies he does, because I’m not Chris.

There is a big reason why I hate time traveling movies, and honestly, this is a prime example of one of them. I’m also aware that Chris’ contract was up, so they thought they would be clever with his ending. I actually think it was a cop out, personally. It’s not just for the Bucky aspect but for the Sam aspect. Maybe Steve being a white man didn’t understand the weight he put on Sam’s shoulders. I don’t think Steve understood Sam’s position as a black man, and I think that reigns true with most white folk, including myself. I will never understand the injustices that POCs feel, I can be empathetic, but I am aware of the privilege the color of my skin has. Again, Steve’s ending left so much to be desired. And then if you think about it, Steve knew that Peggy died having a full life, and he still selfishly went back. Furthermore, he went back, and stopped the life Peggy would have had. So therefore it alters the future/present. Again, I hate time traveling movies for this reason. I think at the end of the day it was the finality of the decision, but also I feel so many people weren’t given closure with it. That includes fans, Steve, Bucky, Sam, and all the other Avengers.

I personally do not think that Steve needs to live his life for his friends. But this was the life he was given, he should have moved forward, instead of going backwards, but again, Chris’ contract ended, I get it. It was lazy writing. As far as Peggy aiding in Bucky’s demise, who was the one who allowed Zola to live? Who allowed Zola to not just live but work for SHIELD? Peggy Carter AND Howard Stark. What did Zola do? He rebuilt Hydra. What did Hydra do? They tortured Bucky. Remember when Steve learned all of this? Learned what Zola did, and who allowed Zola to live? How he built Hydra to be more powerful than ever? They created the ultimate weapon, The Winter Soldier. Bucky was no longer human to them.

I can’t speak for everyone else, but had the roles been reversed, I would still be irritated. Again, lazy writing. In my ending, Steve had his dance with Peggy, but he returned. I actually wish that Steve made a bargain with Red Skull, a soul for a soul, and he retrieved Natasha. He got his dance, and he said his goodbye, but he came back to the time he was supposed to be in. Take Bucky and Sam out of the equation. Steve still should have stayed in the present even if those two characters died. He rewrote Peggy’s history, and therefore the present. Don’t get me started on Marvel making his story about others, Civil War still irritates me. That was just a lower scale Avengers movie, and we deserved better. I enjoy the movie, just not as a Cap movie.

Now as to the last comment, I jokingly say I can’t ever look at Steve the same. I actually choose to believe my ending for him over what happened. I don’t want him to constantly live to serve Bucky. I want Steve to have his time to grow into Steve. Oddly enough, Steve is also my number 8 Chris character. I don’t think I resonated with him as much as Bucky, and I can admit that this is why I put Bucky on a pedestal. It’s funny that the two best friends had very similar and yet very different lives. I wish that Marvel would have dove into that more. I would love to see a piece where it explores both Steve and Bucky’s mental health. We got a bit of that with TFATWS, but not enough, and without Steve. I guess I love the Cap trio so much, including Sam, I selfishly want more and more of all three.

Again, I love these conversations. And I think all your statements are valid.

[canidbld]

Feraveli: Tiktok and the "Therian Aesthetic"

Content warnings: oveuse of the word aesthetic (chat I am NOT a thesaurus 🙏), general ramble shenanigans, and it takes a bit to get to the point (very sorry)

Words: 1.9k

— Day 2 of Sol's November Writing Challange

Tiktok has been downloaded onto my phone since 2020, and I've been in an off and on dynamic with the app. There were periods where I'll be addicted to scrolling for months and moments where I'll just go cold turkey for equal amounts and in the time I've had the app, there's a lot of things I've learnt like what the app is about, how it works, why the algorithm is the way it is and why trends become trends and the users who make up the app. Not to say I completely understand the app at all, most of my opinion on tiktok are just patterns I've noticed which resulted into an assumed conclusion with no real backing and support other than a "I've had tiktok for 4 years"

In my opinion, Tiktok is an app that encourages consumerism and wants people to conform to a single box label and aesthetic and lifestyle, essentially encouraging you to make yourself a brand and it's because of the way the algorithm works. According to my boyfriend, the more you intensely focus on one certain niche, aesthetic, community or singular type of content, the more your account will be advertised to your desired audience/demographic that post or consume similar content. You can do things like following people who match the "theme" of your account, reposting content similar to what you want to post, liking and commenting on said posts as well and following and using hashtags that connect you to the content you want to make. All these actions, while necessary to build somewhat of a platform on the app, create a bubble at best and an echo chamber at worst. Everything you do on tiktok is anaylsed by the app to curate the "perfect" for you page (FYP) of all your interests and most content creators on tiktok are aware of this, that's why you see people who are stacked with merch of their favorite anime or why there are accounts who just post edits for a single franchise/character or people who post outfits under a single aesthetic.

The more you visually and materially show how dedicated you are to an aesthetic, franchise or community, the more people will see your theme and they'll follow you, want to be and look like you and then start buying products similar to the aesthetic you're advertising.

It's an app that's known to water down sub-cultures and aesthetics to the point that the origins and themes of these concepts become almost obsolete, favoring visual aesthetics over the true meaning of the sub-culture. Goth and Scene, for example, are one of the more obvious examples. Part of the reason sub-cultures with history dating back decades ago get so warped is due to the way the algorithm works and how tiktok and its users profits off of niche aesthetics and communities.

So, what does this have to do with therianthropy?

Tiktok therians have been a bit of a topic in the community. Talks of how tiktok is filled with misinformation and how the therians of tiktok just focus on the visual aspects of therianthropy rather than the experience. I've read from a lot of therians that were active during the 90's and 00's and the 10's that talked about how different therianthropy has evolved since back then when you could connect with other therians through forums and the era of essays that profoundly described their experiences about being a therian and the deeper meaning of what that meant to them.

For tiktok therians, on the surface, it seems the experience of being a therian is branded as making masks and doing quadobics. It's all tiktok constantly regurgitates. The "aesthetic" of being a therian is someone who wears masks and has those clip-on tails. It's being connected to nature and running and frolicking around in pretty meadows and exploring lush dense forests. Its muted greens and earth brown tones. It's the "therian bedrooms" with the fake leaf decor and the masks and tails hung on the wall. It's the slow-motion tiktoks of people doing quadobics.

What came with this aesthetic and branding came with tiktok pushing this content out to the millions of people who used the app and would come across these videos. Some of the people who saw these videos, who had no idea what therians were, would be introduced into a community that they wanted to participate in and so more people would post more content under this "aesthetic"

The aesthetic, of course, came with its downsides. The major focus on the the visual imagery of therianthropy would result in very little talks about the experience and introspection of being a therian and even less on the history of the community. Like I said earlier, tiktok can create a bubble and the therians who awakened through the app very rarely research past the tiktok search function which has resulted in a lot of misinformation and old debunked discouse rehashed passing through the algorithm like wildfire.

There has been efforts to push back against the misinformation through accounts that do talk about the history of the community and educate the therians on the app but the ratio between quadrobics and educators is unbalanced with quadrobics accounts being more in quantity. Doesn't help that tiktok favors quadobics content more, leaving the accounts that try to educate and talk more deeply about therianthropy and alterhumanity as a whole with little reach and a small platform. Even more is that some of the accounts that try and educate sometimes spread misinformation themselves.

Now, I want to add a disclaimer. You can absolutely enjoy quadobics and wearing masks, and not every therian is responsible for educating others when the resources for it can be found through Google. You don't need to explain your experience as a therian, you can just simply enjoy being a therian in however you express that and if it's through quadrobics and masks then you are just as valid and important as the therians who originated from alt.werewolf.horror.

The problem is how tiktok conflates this aesthetic of therians with the experience and identity of being one and makes it as if this is all the community is when it's not an accurate representation of the community as a whole. Honestly, it doesn't even touch the tip of the iceberg of therianthropy.

So when I came across an account that had recently coined the term "Feraveli," I instantly latched onto the label because I saw the potential in how important it is.

Feraveli was created in October 2024 and is coined by Solar (also known as @hellhoundtherian on tiktok). The summarised definition of feraveli is:

"People who enjoy the aesthetics of nature and animals"

Its a simple enough definition, made to be simple on purpose so people could build upon it themselves. This could mean liking certain habitats like forests or oceans or the dessert and the animals that inhabit them. It could mean liking concepts like the aesthetic of night and nocturnal animals. It could mean liking the mesozonic era of the past and liking the dinosaurs and animals of those times.

The term was coined to actually give a name to the tiktok therian aesthetic and that's why I think it's important for the term to exist because being able to give the aesthetic a name is the first step to being able to separate it from the experience and the therian identity as a whole. I believe that the term will give others the vocabulary neccesery to make it more easier for therians and alterhumans in general to vocalise more about their experiences allowing for more introspective conversations about how they feel versus the visual aspect of their identity. But more importantly, the term isn't just meant to be a term synonymous with alterhumanity. The term allows room for non-alterhumans to participate in the aesthetic without having to use nonhuman labels due to misunderstandings and misinformation.

Otherpaw is also a term that exists for similar reasons, to separate the aesthetic from the identity. The difference, I find, is that people who use the otherpaw label very rarely also identify as therians because they like the aesthetic of quadrobics and masks rather than actually identifying as an animal. Feraveli can also be that, but it's a term that wants to be explored and expressed rather than letting itself have a restrictive and rigid definition.

Feraveli can just be as simple as liking nature and animals but it can mean so much more than that to others who label themselves as feraveli.

In the feraveli carrd, Solar describes the different ways feraveli could be expressed, such as:

Dressing up as your chosen feraveli aesthetic (forest, nighttime, ocean) in whatever clothes you think represents that aesthetic

Decorating your room in items and trinkets and decor you think matches the vibe of your chosen feraveli aesthetic

Adopting other aesthetics and meshing it together with being a feraveli if it helps you express your feraveli aesthetic, such as taking aspects of fairycore, if you think it helps you express the vibes of the forest more

From an alterhuman perspective, I think feraveli can help other alterhumans express their alterhumanity more easily. For example, a bat therian who is a night feraveli, a fictionkin whose feraveli aesthetic matches the environment of their fictotypes media source or a robot kin that has a feraveli aesthetic centered around sci-fi and machines or even horrorkin who finds a feraveli aesthetic in environments like silent hill / foggy spooky areas. It's a lovely sandbox term, I think, that really thrives on creativity and expression more than anything and I'm so thankful the term exists.

For me, I'm a city and suburban feraveli. I like the aesthetics of the city and suburbs as I feel like it resonates with my canine theriotype. Both feravelis make me think of stray dogs and cats patrolling the streets which makes me feel euphoric when I picture myself as that. I express this feraveli type through dressing up more grunge and baggy because I think the style represents the vibes of the city. I wear blacks and grays for the same reason and created a playlist of songs that I think fits the aesthetic of the city. Another reason I feel so connected to these aesthetic feraveli types is because I also grew up and lived in these environments. I could talk about my personal feraveli more but I'd need more time to see what feels right for me under this label.

The term was coined recently, after all. Created only a month ago, not nearly enough time for the term to have solidified a culture for itself, but the beginnings of a community have sprouted on tiktok, and I hope that it continues to grow. It's exciting, to be honest, with feraveli being a newly created term to me. I'm excited to see the potential of it evolve like so many other terms such as copinglink, folcintera, and even the label therian itself as it has also evolved over time throughout the community. I'm even more excited to see and read potential essays about how others express feraveli and what the term means to them. I'm just excited to see how feraveli grows, and I hope anyone reading this will give feraveli a chance and incorporate the term towards themselves.

Feraveli carrd

Original coining post

Solar's (@hellhoundtherian) tiktok

[i-dont-bite]

i've been cancelled for the 2nd time on twitter because i thought finn wolfhard going to starbucks was not such a big deal lol

[tigeri102]

Hi there! I found your blog from reddit while looking for posts about how to grow a tumblr community as an artist (I used to be a regular here like 10 years ago, but I don't even use the email I had back then so I'm back fully from scratch). Any tips that you'd give to a newbie? ^^

oh ! henlo welcome to hell \o/ ill be real tho i truly have little to nothing you dont already seem to have figured out lmao. i dont know anything about community-building and i never have im just here to vibe 🙏

your theme, art, use of tags etc are all lovely fwiw !! but im no expert on getting any real mileage out of this site i just post bullshit all day baybee

edit oops i actually came up with a handful of tips while rambling in the tags and im too lazy to move em to the body text lmao but godspeed

[maaarine]

Why are British teenage girls so unhappy? Here’s the answer (Caitlin Moran, The Times, Sep 13 2024)

"The report, by the Children’s Society, found that British 15-year-old girls are the most unhappy in Europe.

British girls aged 10-15 are “significantly less happy” with their life, appearance, family and school than the average boy — and their happiness is still declining.

Boys’ life satisfaction, meanwhile, remains broadly stable. (…)

But I still didn’t have an “aha!” moment about why this so disproportionately affects girls until… I talked to some teenage girls.

It was at a party, and I went to vape with them on the patio. Because I take my nicotine like children do.

“Duh — it’s the boys,” one said when I brought it up, as all the others agreed.

“The boys?” I asked.

My last book, What About Men?, had been all about how much boys struggle these days: their loneliness; their suicide rates. I’d spent the past year feeling very sympathetic towards boys.

“Yeah, well, who do you think they’re taking out their unhappiness on? It’s us,” another girl said.

“One boy at school used to draw a picture every day of how ugly I was,” a third girl said. “Every day for two years.”

“They’ve all got ‘Rate The Girls’ polls on their WhatsApps,” the first said. “They mark you down for weight gain, haircuts, what you say.”

“But then, if you’re hot, it’s just as bad, in a different way, because they’ll be talking about how they want to f*** you.”

The girls discussed coping techniques. Bad news: none of them worked.

“The only way you can stop them is if you become ‘one of the boys’ and hang out with them. But then,” the second girl said with a sigh, “all the other girls call you a slut. Because you’ve gone over to the boys’ side.”

“Surely it’s not all the boys?” I said. “There must be some nice boys?”

“Oh, yeah,” one girl said. “But they keep their heads down. Because… well, look.”

She showed me the Instagram account of her friend. Under every picture she posted of herself — smiling in a new dress; with her dog — dozens of anonymous accounts had replied with the most rank abuse.

“Fat.” “Slut.” “You gonna try and kill yourself again, for attention?”

“They’re all boys from her school,” she said. “And look, this one boy tried to defend her.”

I saw a series of messages from a brave teenage boy, posting things like, “You’re all big men, leaving these replies under anonymous accounts.”

As I could see, this boy immediately became a target too. Mainly accusations that he was “white knighting” this girl: “You wanna f*** her, bro?”

“So,” I asked, “you don’t think it’s social media pressure to be beautiful, or the economy, that’s making girls so sad?”

“Well, yeah, them too,” the first girl said. “But, Monday-Friday, 9-3, I’m not on social media. I’m not… in the economy. I’m just with these boys. And no one talks about how horrible they are.”

I thought about another recent report, showing a 30 per cent ideological gap between Gen Z men, who are increasingly conservative, and Gen Z women, who are increasingly progressive.

I thought about Andrew Tate, who has nine million mostly young male followers — and faces human trafficking charges, which he denies.

And I thought: maybe these girls are on to something. Maybe more people need to vape with teenage girls and ask them for the school gossip."

[ai-art-thieves]

It's Time To Investigate SevenArt.ai

sevenart.ai is a website that uses ai to generate images.

Except, that's not all it can do.

It can also overlay ai filters onto images to create the illusion that the algorithm created these images.

And its primary image source is Tumblr.

It scrapes through the site for recent images that are at least 10 days old and has some notes attached to it, as well as copying the tags to make the unsuspecting user think that the post was from a genuine user.

No image is safe. Art, photography, screenshots, you name it.

Initially I thought that these are bots that just repost images from their site as well as bastardizations of pictures across tumblr, until a user by the name of @nataliedecorsair discovered that these "bots" can also block users and restrict replies.

Not only that, but these bots do not procreate and multiply like most bots do. Or at least, they have.

The following are the list of bots that have been found on this very site. Brace yourself. It's gonna be a long one:

@giannaaziz1998blog

@kennedyvietor1978blog

@nikb0mh6bl

@z4uu8shm37

@xguniedhmn

@katherinrubino1958blog

@3neonnightlifenostalgiablog

@cyberneticcreations58blog

@neomasteinbrink1971blog

@etharetherford1958blog

@punxajfqz1

@camicranfill1967blog

@1stellarluminousechoblog

@whwsd1wrof

@bnlvi0rsmj

@steampunkstarshipsafari90blog

@surrealistictechtales17blog

@2steampunksavvysiren37blog

@krispycrowntree

@voucwjryey

@luciaaleem1961blog

@qcmpdwv9ts

@2mplexltw6

@sz1uwxthzi

@laurenesmock1972blog

@rosalinetritsch1992blog

@chereesteinkirchner1950blog

@malindamadaras1996blog

@1cyberneticdreamscapehubblog

@neomasteinbrink1971blog

@neonfuturecityblog

@olindagunner1986blog

@neonnomadnirvanablog

@digitalcyborgquestblog

@freespiritfusionblog

@piacarriveau1990blog

@3technoartisticvisionsblog

@wanderlustwineblissblog

@oyqjfwb9nz

@maryannamarkus1983blog

@lashelldowhower2000blog

@ovibigrqrw

@3neonnightlifenostalgiablog

@ywldujyr6b

@giannaaziz1998blog

@yudacquel1961blog

@neotechcreationsblog

@wildernesswonderquest87blog

@cybertroncosmicflow93blog

@emeldaplessner1996blog

@neuralnetworkgallery78blog

@dunstanrohrich1957blog

@juanitazunino1965blog

@natoshaereaux1970blog

@aienhancedaestheticsblog

@techtrendytreks48blog

@cgvlrktikf

@digitaldimensiondioramablog

@pixelpaintedpanorama91blog

@futuristiccowboyshark

@digitaldreamscapevisionsblog

@janishoppin1950blog

The oldest ones have been created in March, started scraping in June/July, and later additions to the family have been created in July.

So, I have come to the conclusion that these accounts might be run by a combination of bot and human. Cyborg, if you will.

But it still doesn't answer my main question:

Who is running the whole operation?

The site itself gave us zero answers to work with.

No copyright, no link to the engine where the site is being used on, except for the sign in thingy (which I did.)

I gave the site a fake email and a shitty password.

Turns out it doesn't function like most sites that ask for an email and password.

Didn't check the burner email, the password isn't fully dotted and available for the whole world to see, and, and this is the important thing...

My browser didn't detect that this was an email and password thingy.

And there was no log off feature.

This could mean two things.

Either we have a site that doesn't have a functioning email and password database, or that we have a bunch of gullible people throwing their email and password in for people to potentially steal.

I can't confirm or deny these facts, because, again, the site has little to work with.

The code? Generic as all hell.

Tried searching for more information about this site, like the server it's on, or who owned the site, or something. ANYTHING.

Multiple sites pulled me in different directions. One site said it originates in Iceland. Others say its in California or Canada.

Luckily, the server it used was the same. Its powered by Cloudflare.

Unfortunately, I have no idea what to do with any of this information.

If you have any further information about this site, let me know.

Until there is a clear answer, we need to keep doing what we are doing.

Spread the word and report about these cretins.

If they want attention, then they are gonna get the worst attention.

[wisecrackingeric-2]

I didn’t wanna say anything cuz I didn’t wanna be rude at first but then it started crashing my phone NDMEJDNDJDN I know this is the fun spam reblog site and don’t get me wrong I get S O FLATTERED when people spam reblog a single/recent post but like. In moderation man. Don’t do it to the HUNDREDS cuz not only does that fill up my notifications but it also force-crashes my (already dying) phone and just kinda makes me feel really awkward

[maztemmo98]

dream(ish) story time!!

[sorcerous-caress]

I hope you are doing well

Did I- Did I make it seem like I'm going crazy or something? Like yes I am okay, I promise.

Well, no. I lied, but I'm not worse than normal. I have always been this deranged. It is not out of the ordinary. Why the concerns now?

But thank you anyways, I hope you're doing well too.

[vadlings]

Represention of Autistic Frustration in Laios Dungeon Meshi

Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.

Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.

The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):

The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.

In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)

Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.

I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.

The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.

The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)

Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.

Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.

To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.

[jadevine]

Preindustrial travel, and long explanations on why different distances are like that

Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/

I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.

Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask

Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember

Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my

--

I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.

I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.

People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.

But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.

The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.

The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.

Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.

If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).

Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.

If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.

Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."

And now for the upper range of "traveling on horseback!"

Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."

This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.

A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.

NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.

If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.

Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.

As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.

Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.

—

UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.

But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!

Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.

Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.

The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.

Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )

[falesten-iw]

It's surreal to witness how easily some people can ignore the urgent situation in Gaza. They’re watching it unfold live: children and families in Gaza bombed, erased from their homes, but they still act like nothing’s happening. History will look back on this time, and it won't be forgiving. It won’t only remember those who supported the bombings; it will also remember those who sat back, shrugged, and scrolled past without a second thought. It will remember that we, as Palestinians, reached out for help but were met with indifference, silence, and passive inaction. There’s no difference between the Zionists and those who ignor our messages from Gaza. There’s no difference between the Zionists and those who witness our pain without acting. You are witnessing ethnic cleansing, and your reaction is ...... nothing. Blank faces, silence, a refusal to acknowledge the truth unfolding right in front of you. Are you really unable to spare $10, $15 or 20$ to save lives in Gaza? Are you too lazy to respond with even a word of support? Are we asking too much of your time?? Is 5 minutes of your time worth more than our lives in Gaza?? What are you going to tell your children, partner or loved ones when they ask what you did while all this was happening?? “Oh, I ignored their messages.” How will you justify staying silent when they flip through the history books in the future? A simple question for sharks: How do you think your followers will react when they realize you might turn a blind eye in their moments of need? What kind of influencer or artist chooses to ignore the pain of others? It’s been a year. More than 42,000 Palestinian civilians have been killed, and over 100,000 injured. Isn’t that enough? Or is the number still too small for you to care? Should we talk about the 10,000 missing or the countless unjustly imprisoned? Maybe you need to see every building in Gaza reduced to rubble before it finally “counts” for you. Do you feel a flicker of empathy? Of humanity? Or are you still waiting for the “right” moment to speak up and take action? History won’t just remember the silence. It will remember even you who ignored this post when your help and action were needed. My family in Gaza urgently needs your help, so please help us and donate now!

Vetted and shared by @90-ghost: Link.

Verified and shared by @el-shab-hussein: Link

Listed as number 282 in "The Vetted Gaza Evacuation Fundraiser Spreadsheet" compiled by @el-shab-hussein and @nabulsi : Link

Listed on the Butterfly Effect Project, number 957: Link

Additionally, Al Jazeera News has documented apart of my family's case: Link If, for some reason, you couldn't donate via GoFundMe, you can donate via PayPal instead.

Note: There’s even a raffle for a handmade Palestinian thob if you want to participate : Link

@timetravellingkitty @deathlonging @briarhips @mazzikah @mahoushojoe

@sar-soor @rhubarbspring @pcktknife @dailyquests @sayruq

@sawasawako @feluka @appsa @anneemay @commissions4aid-international

@wellwaterhysteria @mangocheesecakes @kyra45-helping-others @7bitter @tortiefrancis

@watermotif @stuckinapril @mavigator @lacecap @determinate-negation

@socalgal @chilewithcarnage @ghelgheli @sayruq @elbiotipo

@el-shab-hussein @heritageposts @communistkenobi @deepspaceboytoy

@mesetacadre @forevergulag @gazafunds @northgazaupdates2 @freepalestinneee

@komsomolka @nabulsi @fading-event-608 @buttercuparry

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[daincrediblegg]

no you know what I'm going to scream about the stuff I talked about in the tags of this post publicly

I'm tired of the well-meaning "don't feel bad if your work only gets 20 notes your genius is what counts and do it for you!" bullshit. I've had a good handful of friends who have straight up DEACTIVATED in recent months because their work was not getting reblogged AT ALL. No, it wasn't from lack of not being well-liked, no it wasn't from lack of trying to make sure it was getting out there to the people they knew would engage with it. It was because no matter how much they were praised privately for their work, when push came to shove, absolutely NOBODY reblogged it and gave it the audience that it was due, and I'm tired of people shoving the "unsung genius" narrative as an excuse for it. Nothing excuses that. And the boop event really proved that.

because I know given the opportunity, indiscriminately pressing a button (sometimes 10 thousand times, as I did) is not beyond this website's capability. y'all loved doing that. and look at what it wrought. nothing but love and affection and happiness. just from a couple of quick clicks of a little paw button. sure. nobody knew who you booped but the other person (which is how likes used to work on this website, btw). there was an element of anonymity to it. but that is kind of the core of this website that no other social media platform still has: the ability to be anonymous. and hyper-curating a blog on here like you might on twitter or instagram to project an image is simply not viable. and hey. you wanna know a secret: literally nobody cares what you post or whether it goes with the "theme" of your blog or not. yeah. I know. CRAZY concept in this day and age. but literally. I myself have reblogged things that have had nothing to do with whatever I am currently fixated by and you know what happened to my follower count? not a damn thing. in fact, I actively try to reblog things specifically BECAUSE it's my friends who made them (even though I'm not always good at KEEPING UP WITH HOW MUCH THEY POST @prismatica-the-strange will NEVER GO UNRECOGNIZED by me).

And you know what fucking sucks? I have to deal with this too. surprise right? you ever wonder why I reblog fics or art I post like 20 times the day that I post them? do you ever wonder why I ask about tag lists and beg for asks all the time? IT'S BECAUSE EVEN I GET LIKE. 5 LIKES ON THE THINGS I POST. AND THE REST OF THE REBLOGS ARE MINE SO I CAN MAKE SURE THAT PEOPLE WHO WANT TO SEE WHAT I MAKE GET TO SEE IT. and I say that knowing that I'm certainly not an unpopular blog, or an unpopular writer. I know that people love the stories that I create. Hell, half of the people that I've talked to about lady terror have told me that they consider her to be canon (AND EVEN SOME!! THOUGHT SHE WAS!!! WITHOUT EVEN HAVING WATCHED THE SHOW! WHICH IS STILL SO SO WILD TO ME!!!) But especially in the last 4 years (which really dates this phenomenon), my posts, no matter how well received they've been amongst people I've talked to about them directly, I still go into the notes and at least half (often more than half) are MY reblogs to make sure people saw what I posted. and it happens every single time, and I can't tell you how much it crushes me considering that it used to be that I would be able to post it only once, and people would reblog it sometimes even HUNDREDS of times.

It's not about popularity. it never has been. it's not about anxiety. or shifting website cultures. even if you lurk, the simple fact is, that if you want people to keep making what you love. you have to reblog. your theme won't suffer because you reblogged a fanfiction that you really admire. your posting won't be ruined because you reblogged some fanart from someone in a different fandom. really. I promise. and if people do unfollow you for that? who needs em. followers come and go but you should NEVER have to cater to them. on this website it has ALWAYS been the other way around. lean into it. make it yours. put stuff you ACTUALLY WANT to be seen and that you love and appreciate on your blog. no matter how old it is, how new it is, no matter how niche or off-theme it is.

so please. if you really want to show your appreciation for someone's work? you reblog. it's really as easy as that. check the tags. add some when you reblog if you like. but please for the love of god reblog. it's as easy as booping and even more rewarding for the people who you reblog from. if you want to let someone know that their work is genius and appreciate it? show it. reblog. then DM them if you're too nervous to say what you want to say but not in a public forum. but for christ's sake. REBLOG.